From Opera Pacifica Glosser http://www.operapacifica.org
aficionado – A devoted fan or enthusiast.
apron – The front part of the stage between the curtain and the orchestra pit.
aria – Italian word for “air.” a song for solo voice with instrumental accompaniment.
baritone – The medium male voice. lies between the low bass voice and the higher tenor voice.
baroque – The period of music from the early to mid 1600’s to the mid 1700’s. Baroque operas are characterized by emotional, highly stylized and flowery presentations.
bass – The lowest of the male voices.
bass-baritone – A male voice which combines the quality of the baritone with the depth of the bass, avoiding the extremes of either range.
basso profundo – The most serious bass voice.
bel canto – Italian for “beautiful singing.” In a bel canto style opera, the beauty of singing is more important than the plot or the words.
bravo! – Bravo is the Italian word for expressing appreciation to a male performer.
brava! – Bravo is the Italian word for expressing appreciation to a female performer
bravi! – Bravo is the Italian word for expressing appreciation to two or more performers.
cadenza – Near the end of an aria, a series of difficult, fast high notes that allow the singer to demonstrate vocal ability.
classical – The period in music from roughly the mid 1700’s to the early 1800’s.
coloratura soprano – A very high pitched soprano. also the description of singing which pertains to great feats of agility – fast singing, high singing, trills, and embellishments.
commedia dell’arte – A style of dramatic presentation popular in Italy from the 16th century on; the commedia characters were highly stylized and the plots frequently revolved around disguises, mistaken identities and misunderstandings.
crescendo – Getting progressively louder.
diminuendo – Getting progressively softer.
diva – Literally, “goddess,” a female opera star. Often used to describe a demanding or fussy opera star.
duet – A musical composition for two performers.
encore – A request to play again
falsetto – The high part of a man’s voice, sounding like a woman’s voice.
finale – Last song of an act, usually involving a large number of singers.
finale ultimo – The final finale.
grand opera – Opera which is sung from start to finish, as opposed to opera which may have spoken dialogue.
heldentenor – German for “heroic tenor.” a heldentenor has a brilliant top register (high notes) combined with a strong lower voice, almost like a baritone, and is capable of long passages which require great vocal stamina.
libretto – Italian for “little book.” the libretto is the text of an opera.
maestro – Italian for “master.” a title of courtesy, given, especially in Italy, to conductors, composers and directors.
mezza voce – Italian for “medium voice.” when singing mezza voce, the singer reduces the volume so as to intensify the emotion.
mezzo soprano – The female voice between the soprano (highest) and the contralto (lowest).
opera buffa – Italian for “comic opera.”
op�ra comique – Opera in which there is some spoken dialogue as opposed to grand opera in which there is none.
opera seria – A formal, serious opera, particularly prevalent in the 18th century.
operetta – Light hearted opera with spoken dialogue, such as a musical.
opus – A single work or composition.
orchestra – The group of musicians which accompany a staged presentation.
overture – The instrumental introduction to an opera. usually incorporates themes which will be heard later in the the opera.
prelude – The instrumental introduction to an individual act within an opera.
prima donna – Italian for “first lady.” the female star of an opera.
raked stage – A stage which slants upward away from the view of the audience.
range – The division of the human voice according to six basic types: soprano, mezzo soprano, contralto, tenor, baritone and bass.
romantic – The period of music between the early to mid 1800’s and the early 1900’s.
soprano – The highest female voice..
staccato – Characterized by short, clipped, rapid articulation.
stage right/stage left – The division of the stage from the performer’s point of view; when a performer goes stage right, he moves to his own right and to the audience’s left.
supernumerary – A performer who appears in a non-singing role.
tempo – The speed of a musical passage or composition.
tenor – The highest male voice.
trill – Two rapidly and repeatedly alternated notes.
upstage/downstage – The position on stage farthest or nearest the audience. when a performer moves downstage, he goes toward the audience.
verismo – Italian for “truth.” a documentay style of opera involving melodramatice situations.
vibrato – The slightly wavering quality that a singer has in his voice while sustaining a tone.